Therese Dolan
Professor

Ph.D., Bryn Mawr College
M.A., Bryn Mawr College
B.A., Mundelein College

CV *.PDF
therese.dolan@temple.edu

 

 

Therese Dolan is a modernist art historian who specializes in 19th century French art and has also published on contemporary art. She has authored two books,Inventing Reality: The Paintings of John Moore for Hudson Hills Press, 1996 and Gavarni and the Critics for the University of Michigan (UMI) Press in 1981. In 2006 she also contributed an essay to Women in Impressionism, an exhibition at the Ny Carlberg Glyptotek in Copenhagen and a chapter in L’Oeil Écrit. Études sur des rapports entre texte et image, 1800-1940. Her edited volume, Perspectives on Manet, appeared with Ashgate Press in 2012. Her book Manet, Wagner and the Musical Culture of Their Time is forthcoming from Ashgate Press in 2013. She has also published numerous articles in scholarly journals, including Word & Image, Print Quarterly, Nineteenth Century French Studies, Art Bulletin, Women's Art Journal, the Gazette des Beaux Arts, and Nineteenth-Century Art Worldwideamong others. In 1982 she received an American Council of Learned Societies Travel Grant. In 1984 she participated in a National Endowment for the Humanities Summer Seminar at the University of Pennsylvania on Literature and Art, and in 1985 team taught as a Humanist Scholar in a National Endowment for the Humanities College Summer Humanities Workshop at Philadelphia Community College. In 2002 she received a National Endowment for the Humanties Summer Fellowship to study with Carolyn Abbate at Princeton University on opera and voice. She was a recipient of the Christian R. and Mary F. Lindback Award for Distinguished Teaching (2002) and a Great Teacher Award in 2006 at Temple University. She has been on the Board of the Interdisciplinary Nineteenth-Century Studies Association since 1990, serving as President of the organization from 1992-94. In June 2000 she organized and hosted an international conference “Ways of Seeing” at the Université de Paris X at Nanterre, France. In the summer of 2003 she was co-coordinator of “Nineteenth-Century Worlds: Local/Global” in London.