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cloth 1-4399-1145-2 $74.50, Sep 14, Available
paper 1-4399-1146-0 $26.95, Sep 14, Available
Electronic Book 1-4399-1147-9 $26.95 Available
256 pp 5.5x8.5 5 halftones
"Unbought and Unbossed is an eloquently written and well-organized book about an important era in black women's literary tradition."
LaMonda Horton Stallings, Associate Professor of Gender Studies at Indiana University Bloomington and author of Mutha’ Is Half a Word: Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female Culture
Unbought and Unbossed examines black women’s literary and cultural production of the 1970s and early 1980s. Considering texts in the socio-cultural and historical moments of their production, Trimiko Melancon analyzes representations of black women that not only transgress racial, gender, and sexual boundaries, but also diverge from both discourses of “whiteness” and constructions of female identity imposed by black nationalism.
Drawing from black feminist and critical race theories, discourses on gender and sexuality, and literary criticism, Melancon illuminates the complexity of black female identity, desire, and intimacy. She sheds light on a more complex black identity, one ungoverned by rigid politics over-determined by race, gender and sexuality, while also enabling us to better understand the black sexual revolution, contemporary cultural moments, and representations in the age of Michelle Obama.
Excerpt available at www.temple.edu/tempress
"Trimiko Melancon offers beautiful and complex readings of novels by Toni Morrison, Ann Allen Shockley, Alice Walker, Gayl Jones, and Gloria Naylor while effortlessly synthesizing a generation of scholarship on black sexuality. Unbought and Unbossed is a refreshingly innovative new work destined to become a classic."
Robert F. Reid-Pharr, author of Once You Go Black: Choice, Desire, and the Black American Intellectual
"Unbought and Unbossed is an interesting exploration of black female sexual politics and literary representations of black womanhood at the intersection of three political and aesthetic movements: black nationalism, (black) feminism, and postmodernism. I was especially impressed with Melancon’s close readings of the primary texts and her analysis of the symbolic sexual play and coming of age of the characters. This book is a welcome addition to the very few literary studies that deal explicitly with black womanhood and transgressive sexuality."
Eve Dunbar, Associate Professor of English at Vassar College and author of Black Regions of the Imagination: African American Writers between the Nation and the World (Temple)
"[A] critical analysis of five 'post-1960s black women’s texts.' ... Perhaps most provocatively, Melancon concentrates on the transgressive sexuality present in all of these books... and asserts its importance to the authors’ larger project.... [S]erious readers of African-American literature will value the innovative observations offered on the intersection of 'race, gender, and sexuality' in American life and letters."
Introduction: Disrupting Dissemblance
1. “New World Black and New World Woman”: Or, Beyond the Classical Black Female Script
2. Toward an Aesthetic of Transgression: Ann Allen Shockley’s Loving Her and the Politics of Same-Gender Loving
3. Negotiating Cultural Politics
4. “That Way Lies Madness”: Sexuality, Violent Excess, and Perverse Desire
5. “Between a Rock and a Hard Place”: Gloria Naylor’s The Women of Brewster Place
Conclusion: “Without Fear of Reprisals”: Representation in the Age of Michelle Obama
Trimiko Melancon is an Assistant Professor of English, African American Studies, and Women's Studies at Loyola University New Orleans. Visit her online at www.trimikomelancon.com
Literature and Drama
African American Studies
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