Eve Dunbar: Black Regions of the Imagination

<body bgcolor="#FFFFFF" text="#000000" link="#0000FF" vlink="#CC0000" alink="#CC0000"><center><hr width="350" size="1" align="center" noshade>Establishing an imaginative space for blackness, four mid-century American writers resist literary segregation<hr width="350" size="1" align="center" noshade><p><a href="https://cdcshoppingcart.uchicago.edu/Cart/ChicagoBook.aspx?ISBN=9781439909423&&PRESS=temple" target="_top">Buy this book!</a> | <a href="https://cdcshoppingcart.uchicago.edu/Cart/Cart.aspx?PRESS=temple" target="_top">View Cart</a> | <a href="https://cdcshoppingcart.uchicago.edu/Cart/Cart.aspx?PRESS=temple" target="_top">Check Out</a></p><p><img src="1518_reg.gif" height=200 border=1 vspace=4></p></center><h1>Black Regions of the Imagination</h1> <H2>African American Writers between the Nation and the World</H2> <h3>Eve Dunbar</h3> <P>cloth 1-4399-0942-3 $74.50, Oct 12, <FONT COLOR=#990033>Available</FONT> <br>paper 1-4399-0943-1 $28.95, Oct 12, <FONT COLOR=#990033>Available</FONT> <br>Electronic Book 1-4399-0944-X $28.95 <FONT COLOR=#990033>Available</FONT> <BR> 232 pp 5.5x8.5 </P><BLOCKQUOTE><I>"</I>Black Regions of the Imagination<I> is intelligent, important, and original. Dunbar explores the way four mid-century African-American writers—Zora Neale Hurston, Richard Wright, James Baldwin, and Chester Himes—engage ethnography as a means of interpreting black experience to a broad, especially white, readership. I am especially impressed with the author’s willingness, and in my opinion success, in offering alternative modes of understanding and appreciating the aesthetic, intellectual and political projects of these four writers."</I> <br>&#151<b>Farah Jasmine Griffin</b>, Professor of English and Comparative Literature and African-American Studies and Director of the Institute for Research in African-American Studies at Columbia University</I></BLOCKQUOTE> <P>Zora Neale Hurston, Richard Wright, James Baldwin, and Chester Himes were all pressured by critics and publishers to enlighten mainstream (white) audiences about race and African American culture. Focusing on fiction and non-fiction they produced between the Harlem Renaissance and the Black Arts Movement, Eve Dunbar's important book, <i>Black Regions of the Imagination</i>, examines how these African American writers—who lived and traveled outside the United States—both document and re-imagine their "homegrown" racial experiences within a worldly framework. <P>From Hurston's participant-observational accounts and Wright's travel writing to Baldwin's <i>Another Country</i> and Himes' detective fiction, these writers helped develop the concept of a "region" of blackness that resists boundaries of genre and geography. Each writer represents—and signifies—blackness in new ways and within the larger context of the world. As they negotiated issues of "belonging," these writers were more critical of social segregation in America as well as increasingly resistant to their expected roles as cultural "translators." <BR> <h2>Excerpt</h2><P>Excerpt available at <a href="http://www.temple.edu/tempress">www.temple.edu/tempress</a></p> <BR> <h2>Reviews</h2> <p><I>"Eve Dunbar’s </I>Black Regions of the Imagination<I> is an important intervention in African American and African Diaspora literary studies. Her argument is original and persuasive; its implications for debates about theories of diaspora and African American exceptionalism are profound. As literary scholars increasingly take up black writing from the mid-twentieth-century, they will find </I>Black Regions of the Imagination<I> most valuable."</I> <br>&#151<b>Cheryl A. Wall</b>, Zora Neale Hurston Professor of English, Rutgers University <p><i> "Dunbar argues that the four authors constructed a 'region' for alternative blackness, navigating between nationalist, antinationalist, and internationalist perspectives on racial segregation. Each chapter offers original readings of the authors’ works—the chapter on Himes being particularly insightful—that go against the grain of the academic conversation. Buoyed by extensive research, the volume will be of primary interest to scholars of American literature."</I> <br>&#151<b><I>Publishers Weekly</I></b> <BR> <H2>About the Author(s)</H2> <P><b>Eve Dunbar</b> is Associate Professor of English at Vassar College.</P> <BR><H2>Subject Categories</H2> <p><A HREF="/tempress/african.html" TARGET="_top">African American Studies</a> <BR><A HREF="/tempress/american.html" TARGET="_top">American Studies</a> <BR><A HREF="/tempress/literature.html" TARGET="_top">Literature and Drama</a> </p> <p align="center"><a href="https://cdcshoppingcart.uchicago.edu/Cart/ChicagoBook.aspx?ISBN=9781439909423&&PRESS=temple" target="_top">Buy this book!</a> | <a href="https://cdcshoppingcart.uchicago.edu/Cart/Cart.aspx?PRESS=temple" target="_top">View Cart</a> | <a href="https://cdcshoppingcart.uchicago.edu/Cart/Cart.aspx?PRESS=temple" target="_top">Check Out</a></p><p><font face="Arial" size="1"><a href="copyright.html" onMouseOver="window.status='Web Copyright Policy';return true;" onMouseOut="window.status=''" title="Web Copyright Policy">©</a> 2013 <a href="http://www.temple.edu" target="new" onMouseOver="window.status='Link to Temple University home page';return true;" onMouseOut="window.status=''" title="Link to Temple University home page">Temple University</a>. 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