A look at American filmmaking in the post-1989 Chinese diaspora
The Chinese Diaspora on American Screens
Race, Sex, and Cinema
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The Chinese Diaspora on American Screens looks at the way in which issues of race and sexuality have become central concerns in cinema generated by and about Chinese communities in America after the mid-1990s. This companion volume to Marchetti's From Tian'anmen to Times Square looks specifically at the Chinese diaspora in relation to ethnic, racial, gender, and sexual identity as depicted in the cinema.
Examining films from the United States and Canada, as well as transnational co-productions, The Chinese Diaspora on American Screens includes analyses of films such as The Wedding Banquet and Double Happiness in addition to interviews with celebrated filmmakers such as Wayne Wang.
Marchetti also reflects on how Chinese identity is presented in a multitude of media forms, including commercial cinema, documentaries, experimental films, and hybrid digital media to offer a textured look at representations of the Chinese diasporic experience after Tian'anmen.
List of Illustrations
PART I In the Black Pacific
PART II Sex, Gender, and Generation in Diaspora
Gina Marchetti is Associate Professor in the Department of Comparative Literature, School of Humanities, at the University of Hong Kong. In 1995, her book, Romance and the "Yellow Peril": Race, Sex and Discursive Strategies in Hollywood Fiction, won the award for best book in the area of cultural studies from the Association for Asian American Studies. Her recent books include Andrew Lau and Alan Mak's Infernal Affairs-The Trilogy, From Tian'anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens (Temple), Chinese Connections: Critical Perspectives on Film, Identity, and Diaspora co-edited with Tan See-Kam, Peter X Feng (Temple) and Hong Kong Film, Hollywood and the New Global Cinema, co-edited with Tan See-Kam.