AUTHOR BIO | SUBJECT CATEGORIES
Understanding how individual perspectives on history build collective memory
Oral History and Public Memories
edited by Paula Hamilton and Linda Shopes
"A fine, well-conceived book, refreshingly direct and engaged. A collection of sparkling essays that show oral history at work in a diverse array of contexts, levels, and engagements. They demonstrate powerfully its consequentiality for thinking clearly about meaningful intersections in public space, public life, community sensibility, and mobilized memory. This is no small accomplishment."
—Michael Frisch, University at Buffalo, The State University of New York
Oral History and Public Memories is the first book to explore the relationship between the well-established practice of oral history and the burgeoning field of memory studies. In the past, oral historians have generally privileged the individual narrator, frequently fetishizing the interview process without fully understanding that interviews are only one form of memory-making. Historians engaged in memory studies, on the other hand, have asked broader questions—about the social and cultural processes at work in remembrance, for example. What distinguishes these essays from much work in oral history is their focus not on the experiences of individual narrators, but on the broader cultural meanings of oral history narratives. What distinguishes them from other work in memory studies is their grounding in real events. Taken together, these contributions explain the processes by which oral histories move beyond interviews with individual people to become articulated memories shared by others.
About the Author(s)
Paula Hamilton is Associate Professor in History at the University of Technology in Sydney, Australia. She is co-director of the Australian Centre for Public History, and co-editor of Public History Review.
Linda Shopes is a freelance editor and consultant; and formerly a historian at the Pennsylvania Historical & Museum Commission. She is Past President of the U.S. Oral History Association, and co-editor of the series Studies in Oral History.
Subject Categories
In the series
Critical Perspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig.
Critical Perspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig, is concerned with the traditional and nontraditional ways in which historical ideas are formed. In its attentiveness to issues of race, class, and gender and to the role of human agency in shaping events, the series is as critical of traditional historical method as content. Emphasizing that history is itself an interpretation of material events, the series demonstrates that the historian's choices of subject, narrative technique, and documentation are politically as well as intellectually constructed.