REVIEWS | EXCERPT | CONTENTS | AUTHOR BIO | SUBJECT CATEGORIESA beautifully written, dramatic memoir from one of women's history's founders FireweedA Political AutobiographySearch the full text of this bookGerda LernerInterviews with The Chronicle of Higher Education, 3 May 2002; Publishers Weekly, 25 June 2002; and The New York Times, 20 July 2002 Outstanding Achievement Recognition by the Wisconsin Library Association Literary Awards Committee, 2003 A BookSense top 76 pick in the category, "Life Stories of Some Famous and Not-So-Famous Women," March/April, 2003 A PW Book of the Day, June, 2002
In Fireweed, Gerda Lerner, a pioneer and leading scholar in women's history, tells her story of moral courage and commitment to social change with a novelist's skill and a historian's command of context. Lerner's memoir focuses on the formative experiences that made her an activist for social justice before her academic career began. The child of a well-to-do Viennese Jewish family, she was still a teenager when a fascist regime came to power in 1934, and she became involved in the underground resistance movement. The Nazi takeover of Austria cast her into prison, then forced her and her family into exile; she alone was able to leave Europe. Once in the United States, she experienced the harshness of the Depression and despair over the fate of her family. Still, she persisted in adapting to the new culture and to becoming a writer. Here she met and married her life-long partner, Carl Lerner, a film editor and director. Together they become deeply involved in left-wing activities, from struggling to unionize the film industry and resisting the blacklist in Hollywood to community organizing for peace, for an interracial civil rights movement, and for better schools in New York City. Lerner insists that her decades of grassroots organizing largely account for the theoretical insights she was later able to bring to the development of women's history. In Fireweed, Lerner presents her life in the context of the major historical events of the twentieth century and the repression of dissent. Hers is a gripping story about surviving hardship and summoning the courage to live according to one's convictions. ExcerptRead the Introduction and Chapter 1 (pdf). Reviews"A spirited, eminently readable and unapologetic memoir of leftist life in a rightist era....[L]eaving readers hungry for more[,] Lerner's autobiography also makes a fine contribution to social history."
"Fireweed is made out of courage and wisdom. One of the finest historians of our time has written an eloquent memoir that makes clear how Women's History has grown out of lived experience. Read it as a story of a girl coming of age in dark times; read it as a story of a brave young woman who lives her progressive ideals in cold war America. I simply could not put down this loving, chilling and heartbreaking book."
"Gerda Lerner, a leading pioneer in Women's History...presents an especially vivid account of the connections between her ambivalent but loving relations with her parents...and her own escape from fascism and quest for both autonomy and a professional career."
"[A] superb memoir... Lerner's power and precision as a writer makes this story read like a fast-paced novel."
"Most people become historians by going to school day and night for years. Gerda Lerner became a historian by working in her youth in social justice and women's rights movements that became history. Then, in middle age, she went to school day and nightfinally becoming one of our preeminent writers and teachers of Women's History. Fireweed is a wonderful and inspiring story for young women."
"[Fireweed] reads like a novel..."
"As a work of prose, this autobiography has a peculiar beauty. Some of the lines are magical... Perhaps the most striking aspect of Gerda Lerner's memoir, as of her many other publications, is the lucidity of her vision.... But, like the eloquent Simone de Beauvoir, who also told her own life, she has made it difficult for any would-be biographer to do better."
"Now in her 80s, Lerner looks back not on the years of prominence but on those early decades that shaped her thought and made her life's work possible.... [C]ertain to find a deserved place in every collection of indispensable works of women's history."
"Lerner has produced a grand and beautiful work, well organized in clean, lovely prose....With scrupulous scholarship and deep humanity, Lerner details her life as a helpless outsideras well as her family relations and intellectual development.... In a world where accuracy and emotional honesty are often deplorably absent, Fireweed is a rare and valuable contribution."
"Lerner, a leading scholar in women's history, dissects her personal history in this absorbing autobiography....A fascinating memoir."
"The wellsprings of Lerner's pioneering scholarship in women's studies are illuminated by her life experiences as related in often astonishingly candid passages. ...This distinctive volume is valuable not only for readers interested in how experience shapes a leading historian, but for its reminder that individuals who want to believe in a certain social or political system often ignore or brush aside inconvenient facts that do not fit their ideal."
"[a] stunning political autobiography....it should appeal to a wide readership....Gerda Lerner's life story is astonishing in its forthrightness, breathtaking in its narrative and, like the fireweed itself, simply dazzling."
"Perhaps most of all, Fireweed is about the intertwining of memory and history, and as such it serves as a profound lesson in methodology.... Lerner's work is no ordinary reminiscence, for the act of remembering forms part of her story, as she continually reminds us how complicated are the primary sources upon which we rely."
"Lerner sees her profession as the perhaps culminating stage of a series of reinventions. Social activism, the example of an independently minded mother, and her love for writing had made her turn toward a new field, women's history."
Read "Rethinking the Second Wave," a review from The Nation, 14 October 2002, written by Nancy MacLean (pdf). Read "Top Girls," a review from Ruminator Review, Spring 2003, written by Brigitte Frase (pdf). Read "The Personal and the Historian," a review from Reviews in American History, Volume 31 (2003), written by Bryant Simon (pdf). Read "A Historian Who Takes Sides," a review from The Progressive, September 2002, written by Barbara Ransby (pdf). "In this rich autobiography, Gerda Lerner, the esteemed historian and pioneer of women's studies known for her pathbreaking work on women who fought against patriarchy, racism, and bigotry, explores her own personal struggle against oppression... through recounting her life, she shows us that even in the face of destruction, the human spirit, like the fireweed, can rise up in all its glory."
"I consider Fireweed among the very best works available for courses concerning women's activism, social movements, and 20th Century European and US history. For me, teaching Fireweed is deeply satisfying because students take so much away from it: they gain insights about complex histories and ordinary people, and they continue to be moved both by the intellectual offerings of the book, and also by Lerner's life example."
"It is an extraordinary work, the deeply personal account revealing and unfolding both women's history and the political history of Europe and the United States in critical times.... Please read this exquisite book and pass it along to others as widely as you can."
ContentsA Note on Usage
About the Author(s)
Subject CategoriesJewish Studies
In the seriesCritical Perspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig. Critical Perspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig, is concerned with the traditional and nontraditional ways in which historical ideas are formed. In its attentiveness to issues of race, class, and gender and to the role of human agency in shaping events, the series is as critical of traditional historical method as content. Emphasizing that history is itself an interpretation of material events, the series demonstrates that the historian's choices of subject, narrative technique, and documentation are politically as well as intellectually constructed. |