A compelling study of how the label "oriental" came into being
Asian Americans in Popular Culture
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Robert G. Lee
Best Book Award Winner Culture Studies/Popular Culture, Northeast Popular Culture/American Culture Association, 2000
Honorable Mention for the John Hope Franklin Publication Prize for the best-published book in American Studies from the American Studies Association, 1999
Best Book Award for the Social Construction of Race, The American Political Science Association, 1999
Sooner or later every Asian-American must deal with the question "Where do you come from?" It is probably the most familiar if least aggressive form of racism. It is a tip-off to the persistent notion that people of Asian ancestry are not real Americans, that "Orientals" never really stop being loyal to a foreign homeland, no matter how long they or their families have been in this country. Confronting the cultural stereotypes that have been attached to Asian-Americans over the last 150 years, Robert G. Lee seizes the label "Oriental" and asks where it came from.
The idea of Asians as mysterious strangers who could not be assimilated into the cultural mainstream was percolating to the surface of American popular culture in the mid-nineteenth century, when Chinese immigrant laborers began to arrive in this country in large numbers. Lee shows how the bewildering array of racialized images first proffered by music hall songsters and social commentators have evolved and become generalized to all Asian-Americans, coalescing in particular stereotypes. Whether represented as Pollutant, Coolie, Deviant, Yellow Peril, Model Minority, or Gook, the Oriental is portrayed as alien and a threat to the American familythe nation writ small.
Refusing to balance positive against negative stereotypes, Lee connects these stereotypes to particular historical moments, each marked by shifting class relations and cultural crises. Seen as products of history and racial politics, the images that have prevailed in songs, fiction, films, and nonfiction polemics are contradictory and complex. Lee probes into clashing images of Asians as (for instance) seductively exotic or devious despoilers of (white) racial purity, admirably industrious or an insidious threat to native laborers. When Lee dissects the ridiculous, villainous, or pathetic characters that amused or alarmed the American public, he finds nothing generated by the real Asian-American experience; whether they come from Gold Rush camps or Hollywood films or the cover of Newsweek, these inhuman images are manufactured to play out America's racial myths.
Orientals comes to grips with the ways that racial stereotypes come into being and serve the purposes of the dominant culture.
"Bob Lee makes a major contribution to cultural studies and to ethnic studies with this insightful, engaging, and original examination of anti-Asian imagery in the U.S. Lee shows how different historical moments produce markedly different images and how changes in ethnic stereotypes register and reflect broader structural and cultural transformations."
"A compelling critique of race from an Asian American viewpoint.... Given the increasingly non-European composition of the U. S. population, Lee's work provides an excellent prism to view the flawed North American self-image."
"...an outstanding examination of Asian American stereotypes in nineteenth- and twentieth-century popular culture."
"Orientals is provocative in its argument regarding the role of anti-Asian racism in creating pan-white identities incorporating new European immigrants and in fostering the growth of caste and craft unions rather than organizations seeking to represent all workers."
Preface: Where Are You From?
Robert G. Lee is Associate Professor of American Studies, Brown University.
In the series
Asian American History and Culture, edited by David Palumbo-Liu, K. Scott Wong, Linda Trinh Vő, and Cathy Schlund-Vials..
Founded by Sucheng Chan in 1991, the Asian American History and Culture, series has sponsored innovative scholarship that has redefined, expanded, and advanced the field of Asian American studies while strengthening its links to related areas of scholarly inquiry and engaged critique. Like the field from which it emerged, the series remains rooted in the social sciences and humanities, encompassing multiple regions, formations, communities, and identities. Extending the vision of founding editor Sucheng Chan and emeritus editor Michael Omi, series editors David Palumbo-Liu, K. Scott Wong, Linda Trinh Vő, and Cathy Schlund-Vials continue to develop a foundational collection that embodies a range of theoretical and methodological approaches to Asian American studies.