| 8:30-8:45 |
Welcoming remarks
Concetta Stewart, Dean of the School of Communications and Theater
Renee Hobbs and Zizi Papacharissi, Co-Directors, Mass Media and Communication Doctoral Program, SCT
Carolyn Kitch, Chair, Graduate Research Forum Committee |
| 8:45-9:30 |
Panel 1: Changing Models for Policy, Practice, and Perception
Moderator: Jan Fernback |
| |
Maria Simone |
From Chaos to Commercialism: The Politics of the Public Interest in Communications Policy, 1922-1947
|
| |
Susan Robinson |
Experiencing Journalism: A New Model in Online Newspapers
|
| |
Maria Oliveira |
Changing the Reality: A Frame Analysis of Viva Rio Organization
|
| 9:30-9:40 |
Break |
|
| 9:40-10:40 |
Panel 2: Collective Memory and Media
Moderator: Zizi Papacharissi |
| |
Su hi Choi |
The Contested Memory of a Forgotten War: Textual Analysis of U.S. Newspaper Coverage of the No Gun Ri Incident
|
| |
Rick Popp |
The Narratives of Conspiracy: The Collective Memory of Conspiracy on the History Channel |
| |
Heather Muse |
You're Living in the Past, It?s a New Generation?: Music as Memo Device in Nostalgia Television Shows
|
| Guillermo Avila-Saavedra |
Stonewall 25 and the Media?s Role in Shaping Collective Gay Memory and Identity (1969-1994)
|
| 10:40-10:50 |
Break |
|
| 10:50-11:35 |
Panel 3: Persuasive Communication
Moderator: Michael Maynard
|
| |
Rebecca Hains |
Structuring the Status Quo: The L-Word and Queer Female Acceptability
|
| |
Satarupa Dasgupta |
Impact of Direct to Consumer Advertisements of Prescription Drugs on Women
|
| |
Dawn Gilpin
|
The Demise of Parmalat: An Autobiography |
| 11:35-11:45 |
Break |
|
| 11:45-12:45 |
Panel 4: Visual Culture
Moderator: Andrew Mendelson
|
| |
Melissa Lenos |
Tragedies of Humankind?: The Evolution of the American Film Melodrama |
| |
Sueen Noh |
Science, Technology, and Women Represented in Korean Sci-Fi Girls Comics
|
| |
Matthew Jones |
Construction of Social Memory through Strategies of Reflexivity: A Case Study in Three Texts by Art Spiegelman
|
| |
Sara Zia Ebrahimi |
The Persian Eye: Pre-Cinematic Ways of Looking and the Introduction of Cinema in Iran
|
| 1:00-2:30 |
Lunch for presenters and faculty
Presentation of top-paper awards
Rhodes Room, Diamond Club, Mitten Hall |