He noted that they used the American presence to reject the norms of their British colonizers, who had held the island since 1797. (In fact, the “Caliban” in the book title comes from the common use of Shakespeare’s character as a symbol for decolonizing people.)
Neptune began his research by reading newspapers from Trinidad from the time of the occupation, and then delved into additional archives from Trinidad, the United States and Great Britain.
“There was a sense of struggling against one empire while another comes into the country,” said Neptune. “There was so much engagement with the Americans, however, that the story doesn’t fit into the anti-imperialist dimension of nationalist narratives. This wasn’t a case of total resistance to the occupation.”
According to Neptune, younger Trinidadians, women and the underprivileged found the most “utility in the American presence,” which contributed to an unsettling of the established Anglocentric status quo. Trinidadians, in essence, turned the questionable presence of an external power into something beneficial.
“This episode really illustrates the creativity of the people,” Neptune said. “For instance, when some appropriated American dress styles, they challenged not just British dress, but British notions of masculinity.”
Neptune also noted that the interaction between Trinidadians and U.S. troops challenged British and American racial boundaries, on and off the island. “You can see this in terms of women of color who began publicly dating white men, which was a transgression of Britain’s racial norms,” he said, adding that white U.S. troops abandoned their racism when openly dating women of color in Trinidad.
While Neptune’s book deals with a U.S. installation in one country, he said that the story can be placed in the larger context of understanding what America means to people around the world.
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