current issue : vol. 66 no. 2 (spring 2008)

Call for Nominations: The 2008 Selma Jeanne Cohen Prize

Call for Papers: The 2009 John Fisher Memorial Prize

articles

Aesthetic Deception: On Encounters with the Past
carolyn korsmeyer

Tempus Fugit: Voice, Intentionality, and Formal Invention in Augustine and Monteverdi
ståle wikshåland

What Do We See In Film?
robert hopkins

Ontology and Aesthetics of Digital Art
paul crowther

The Limits of the Sublime, the Sublime of Limits: Hermeneutics as a Critique of the Postmodern Sublime
jerome carroll

The Opticality of Pictorial Representation
katerina bantinaki

discussion

Lopes on the Ontology of Japanese Shrines
rafael de clercq

Reference, Ontology, and Architecture: Response to Rafael De Clercq
dominic mciver lopes

book reviews

Paul Ricoeur, On Translation
John Sallis, On Translation
Reviewed by paul woodruff

Berys Gaut, Art, Emotion and Ethics
Reviewed by robert stecker

Julian Dodd, Works of Music: An Essay in Ontology
Reviewed by andrew kania

Peter Goldie and Elisabeth Schellekens, eds., Philosophy and Conceptual Art
Reviewed by william p. seeley

Howard S. Becker, Robert R. Faulkner, and Barbara Kirshenblatt-Gimblett, eds., Art from Start to Finish: Jazz, Painting, Writing, and Other Improvisations
Reviewed by lee b. brown

Tzachi Zamir, Double Vision: Moral Philosophy and Shakespearean Drama
Reviewed by stephanie patridge

Garrett Stewart, Framed Time: Toward a Postfilmic Cinema
Reviewed by m. hunter vaughan

David Baggett and William A. Drumin, eds., Hitchcock and Philosophy: Dial M for Metaphysics
Reviewed by lisa k. broad

Aleš Erjavec, ed., Filozofski vestnik: The Revival of Aesthetics
Reviewed by dan vaillancourt

Hans Ulrich Gumbrecht, In Praise of Athletic Beauty
Reviewed by joan grassbough forry