volume 54 number 2 (spring 1996)

articles

From Aesthetics To Art Criticism and Back
arthur c. danto
105

From Chaos to Wholeness
rudolf arnheim
117

Intention and Interpretation: Manet's Luncheon in the Studio
nan stalnaker
121

The Range of Musical Semantics
joseph p. swain
135

Disputes About Art
david novitz
153

Kant's Sublime: A Form of Pure Aesthetic Reflective Judgment
patricia m. matthews
165

book reviews

Gilles Deleuze and Felix Guattari, What is Philosophy?
Gilles Deleuze, The Fold: Leibniz and the Baroque
Reviewed by john j. stuhr
181

Robert S. Hatten, Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation
Reviewed by patricia herzog
183

Martin Jay, Downcast Eyes: The Denigration of Vision in Twentieth-Centure French Thought
Reviewed by joyce brodsky
185

Sushil Kumar Saxena, Art and Philosophy: Seven Aestheticians, Croce, Dewey, Collingwood, Santayana, Ducasse, Langer, Reid
Reviewed by eliot deutsch
188

Ronald Moore, ed., Aesthetics for Young People
Reviewed by susan l. feagin
189

Joseph Margolis, Interpretation Radical But Not Unruly: The New Puzzle of the Arts and History
Reviewed by robert stecker
191

Marjorie Perloff and Charles Junkerman, eds., John Cage: Composed in America
Reviewed by lydia goehr
193

Luc Ferry, Homo Aestheticus: The Invention of Taste in the Democratic Age
Reviewed by martin donougho
195

George Bataille, The Absence of Myth: Writings on Surrealism
Reviewed by mary bittner wiseman
197

Peter Kivy, Authenticities: Philosophical Reflections on Musical Performance
Reviewed by james o. young
198

Michael Baxandall, Shadows and Enlightenment
E. H. Gombrich, Shadows: The Depiction of Case Shadows in Western Art
Reviewed by david carrier
200

Michael Krausz, ed., The Interpretation of Music: Philosophical Essays
Reviewed by garry hagberg
201