volume 53 number 2 (spring 1995)
articles
Film Spectatorship and the Institution of Fiction
murray smith
113
On the "Multiple Viewpoint" Theory of Early Modern Art
john adkins richardson
129
The Value of Music
gordon graham
139
Francis Hutcheson and the Problem of Conspicuous Consumption
preben mortensen
155
Kant on Pleasure in the Agreeable
nick zangwill
167
The Postmodern Sublime: Kant and Tony Smith's Anecdote of the Cube
paul g. beidler
177
discussion
Without Guilt, What's the Matter? How Tragedy Matters: Response to Richard Eldridge's "How Can Tragedy Matter to Us?"
victor yelverton haines
187
Response to Victor Yelverton Haines
richard eldridge
188
Kant on Fine Art: Artistic Sublimity Shaped by Beauty
robert wicks
189
Kant's Confusion of Expression with Communication
robert b. cantrick
193
Beauty, Sublimity, and Expression: Reply to Wicks and Cantrick
paul guyer
194
Levinson on Hope in The Hebrides
gregory karl and jenefer robinson
195
Still Hopeful: Reply to Karl and Robinson
jerrold levinson
199
essay review
Daniel Herwitz, Making Theory/Constructing Art: On the Authority of the Avant-Garde
Reviewed by gregg horowitz
203
book reviews
Mark Wigley, The Architecture of Deconstruction: Derrida's Haunt
Reviewed by mary bittner wiseman
211
Theodor W. Adorno, Quasi una Fantasia: Essays on Modern Music
Max Paddison, Adorno's Aesthetics of Music
Reviewed by lee b. brown
212
Lynda Nead, The Female Nude: Art, Obscenity, and Sexuality
Reviewed by sally markowitz
216
Oleg Grabar, The Mediation of Ornament
Reviewed by rudolf arnheim
218
Edward Lippman, A History of Western Muscial Aesthetics
Reviewed by howard niblock
219
Michael Krausz, Rightness and Reasons: Interpretations in Cultural Practices
Reviewed by thomas leddy
222
Joanna Freuh, Cassandra L. Langer, and Arlene Raven, eds., New Feminist Criticism: Art, Identity, Action
Reviewed by patricia failing
225