volume 52 number 2 (spring 1994)

articles

Seeing Double
patrick maynard
155

Rethinking Hume's Standard of Taste
theodore a. gracyk
169

Objectivity and Expression in Thomas Reid's Aesthetics
josefine c. nauckhoff
183

Art Interpretation
robert stecker
193

Make-Believe and Fictional Reference
frederick kroon
207

On Listening to Music
thomas g. miller
215

"Primitive Fakes," "Tourist Art," and the Ideology of Authenticity
larry shiner
225

discussion

Kivy on Auditor's Emotions
stephen davies
235

Armistice, But No Surrender: Davies on Kivy
peter kivy
236

The Persistence of Dogma in Aesthetics
arnold berleant
237

Beyond the Aesthetic
allen carlson
239

book reviews

Martin Kemp, The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat
Erwin Panofsky, Perspective as Symbolic Form
Reviewed by patrick maynard
243

David Novitz, The Boundaries of Art
Reviewed by marcia muelder eaton
245

E. H. Gombrich, Topics of Our Time: Comments on Twentieth-Century Issues in Learning and in Art
Reviewed by laurent stern
247

Salim Kemal and Ivan Gaskell, eds., The Language of Art History
Reviewed by gregg m. horowitz
249

John Dixon Hunt, Gardens and the Picturesque: Studies in the History of Landscape Architecture
Reviewed by stephanie ross
250

T. J. Diffey, The Republic of Art and Other Essays
Reviewed by stephen davies
252

Rose Rosengard Subotnik, Developing Variations: Style and Ideology in Western Music
Reviewed by garry hagberg
254

Paisley Livingston, Literature and Rationality: Ideas of Agency in Theory and Fiction
Reviewed by göran hermerén
255

Frank Palmer, Literature and Moral Understanding: A Philosophical Essay on Ethics, Aesthetics, Education and Culture
Reviewed by victor yelverton haines
257

Daniel T. O'Hara, Radical Parody: American Culture and Critical Agency After Foucault
Reviewed by michael kelly
259