volume 50 number 3 (summer 1992)

articles

Historical Dialectics and the Autonomy of Art in Ädorno's Asthetische Theorie
james m. harding
183

Aufbau and Bauhaus: A Cross-Realm Comparison
lucian krukowski
197

Reference and Play
israel scheffler
211

The Arts of Music
philip alperson
217

The Idea of Abstraction in German Theories of Ornament from Kant to Kandinsky
david morgan
231

discussion

Hutcheson's Idea of Beauty: Simple or Complex?
peter kivy
234

Still More in Defense of Colorization
james o. young
245

book reviews

Paul Barolsky, Michelangelo's Nose: A Myth and Its Maker
Paul Barolsky, Why Mona Lisa Smiles and Other Tales by Vasari
Reviewed by david carrier
249

Lambert Zuidervaart, Adorno's Aesthetic Theory: The Redemption of Illusion
Reviewed by thomas huhn
251

Seymour Chatman, Coming to Terms: The Rhetoric of Narrative in Fiction and Film
Reviewed by murray smith
253

Fredric Jameson, Postmodernism, or, the Cultural Logic of Late Capitalism
Reviewed by richard shusterman
254

Norman Bryson, Michael Ann Holly, and Keith Moxey, eds., Visual Theory: Painting and Interpretation
Reviewed by richard moran
257

Ora Avni, The Resistance of Reference: Linguistics, Philosophy, and the Literary Text
Reviewed by jenefer robinson
258

Josef Chytry, The Aesthetic State: A Quest in Modern German Thought
Reviewed by lydia goehr
260

David Roberts, Art and Enlightenment: Aesthetic Theory after Adorno
Reviewed by lambert zuidervaart
262

Gary Shapiro, Alcyone: Nietzsche on Gifts, Noise, and Women
Reviewed by kathleen higgins
263

Stephen Bann and William Allen, eds., Interpreting Contemporary Art
Reviewed by daniel herwitz