volume 49 number 4 (fall 1991)
articles
Still Looking for Proof: A Critique of Smith's Relativism
gordon c. f. bearn
297
Seeing Blake's Illuminated Texts
carol bigwood
307
The Canon of Poetry and the Wisdom of Poetry
albert cook
317
The Concept of Self and Postmodern Painting: Constructing a Post-Cartesian Viewer
william dunning
331
The Dislocation of the Architectural Self
david goldblatt
337
Lockean Aesthetics
dabney townsend
349
discussion
Movie Colorization and the Expression of Mood
flo liebowitz
363
Do Composers Have To Be Performers Too?
paul vincent spade
365
When Composers Have To Be Performers
phillip alperson
369
essay review
Stanley Fish, Doing What Comes Naturally: Change, Rhetoric, and the Practice of Theory in Literary and Legal Studies
Reviewed by roger shiner
375
book reviews
Paul Crowther, The Kantian Sublime: From Morality to Art
Reviewed by kenneth f. rogerson
379
Peter Kivy, Music Alone: Philosophical Reflections on the Purely Musical Experience
Reviewd by douglas dempster
381
Christine Battersby, Gender and Genius: Towards a Feminist Aesthetics
Reviewed by carolyn korsmeyer
383
John Gage, I-IV
Reviewed by daniel herwitz
384
Paul Armstrong, Conflicting Readings: Variety and Validity in Interpretation
Reviewed by laurent stern
386
Rudolf A. Makkreel, Imagination and Interpretation in Kant: The Hermeneutical Import of the Critique of Judgment
Reviewed by salim kemal
388
Kirk Varnedoe, A Fine Disregard: What Makes Modern Art Modern
Reviewed by patrick maynard
390
Peter J. McCormick, Modernity, Aesthetics, and the Bounds of Art
Reviewed by wojciech chojna
392
David B. Pankratz and Valerie B. Morris, eds., The Future of the Arts: Public Policy and Arts Research
Reviewed by john andrew fisher
393