volume 47 number 4 (fall 1989)
articles
Sound and Epistemology in Film
edward branigan
311
Authorship and Authority
nickolas pappas
325
Erwin Panofsky, Leo Steinberg, David Carrier: The Problem of Objectivity in Art Historical Interpretation
david carrier
333
Ut Pictura Poesis: Vermeer's Challenge to Some Renaissance Literary Assumptions
ann hurley
349
Why Spinoza Had No Aesthetics
james c. morrison
359
Destroying Works of Art
james o. young
367
discussion
Kant, Mothersill and Principles of Taste
george dickie
375
Art's Autonomy Is Its Morality: A Reply to Casey Haskins on Kant
lawrence w. hyman
376
book reviews
Anthony Savile, Aesthetic Reconstructions: The Seminal Writings of Lessing, Kant and Schiller
Reviewed by carolyn wilde
379
Paul Ricoeur, Time and Narrative, Vols. 1, 2, and 3
Reviewed by terry graves taylor
380
Peter J. McCormick, Fictions, Philosophies and the Problems of Poetics
Reviewed by david novitz
382
Ian Jarvie, Philosophy of the Film: Epistemology, Ontology, Aesthetics
Reviewed by cynthia rostankowski
384
John Bender, Imagining the Penitentiary: Fiction and the Archictecture of Mind in Eighteenth-Century England
Reviewed by timothy erwin
385
Kenneth F. Rogerson, Kant's Aesthetics: The Roles of Form and Expression
Reviewed by casey haskins
387
Brian Rosebury, Art and Desire: A Study of the Aesthetics of Fiction
Reviewed by dabney townsend
389
Michael Sprinker, Imaginary Relations
Reviewed by douglas kellner
390
Ellen Dissanayake, What is Art For?
Reviewed by alexander alland
392
Jed Perl, Paris Without End: On French Art Since World War I
Reviewed by d. d. todd
394