volume 35 number 4 (summer 1977)
Editorial
393
articles
The Aesthetic Implications of Avant-garde Music
herbert m. schueller
397
The Truth About Psychical Distance
kingsley price
411
Theories, Interpretations, and Aesthetic Qualities
jeffrey olen
425
Clive Bell's Aesthetic: Tradition and Significant Form
thomas m. mclaughlin
433
Must the Critic Be Correct?
richard w. lind
445
"The Murders in the Rue Morgue" and Sonata Allegro Form
robert k. wallace
457
Plato's Early Aesthetics: The Hippias Major
david sider
465
afterwords
What is Set-Theoretical Musical Analysis?
robert j. yanal
471
book reviews
Melvin Rader and Bertram Jessup, Art and Human Values
Reviewed by jerome stolnitz
475
Umberto Eco, A Theory of Semiotics
Reviewed by robert scholes
476
James M. Edie, Speaking and Meaning: The Phenomenology of Language
Reviewed by john e. atwell
478
Murray Krieger, Theory of Criticism: A Tradition and Its System
Reviewed by fabian gudas
480
Leopold Damrosch, The Uses of Johnson's Criticism
Reviewed by ralph jenkins
482
Terry Eagleton, Marxism and Literary Criticism
Reviewed by stephen zelnick
483
D. W. Harding, Words into Rhythm
Reviewed by charles l. stevenson
484
Solomon Marcus, ed., Semiotica folclorului (The Semiotics of Folklore)
Reviewed by mihai nadin
486
Norman R. Cary, Christian Criticism in the Twentieth Century
Reviewed by william f. lynch, s. j.
488
Heinrich Lützeler, Kunsterfahrung und Kunstwissenschaft
Reviewed by rolf-dieter herrmann
489
Peter Gay, Art and Act, On Causes in History--Manet, Gropius, Mondrian
Reviewed by alan c. birnholz
490
Paul von Blum, The Art of Social Conscience
Reviewed by willis h. truitt
491
Lucy R. Lippard, From the Center: Feminist Essays on Women's Art
Reviewed by sally j. cloninger
492
Gillo Dorfles, Il divenire della critica
Reviewed by robert w. kretsch
493
Arthur Motycka, Musico-Aesthetic Education: A Phenomenological Proposition
Reviewed by gerard l. knieter
494
Enrico Fubini, L'Estetica Musicale Dall'Antichità Al Settecento
Reviewed by c. dyke
494
Allan Casebier, Film Appreciation
Reviewed by evan william cameron
496
Gloria Orenstein, The Theater of the Marvelous: Surrealism and the Contemporary Stage
Reviewed by donna wilshire
497
Lehman Engel, The Critics
Reviewed by monroe c. beardsley
499