volume 32 number 2 (winter 1973)
Editorial
143
articles
Hyperbolic Linear Perspective
robert hansen
147
Aesthetic Rights
alan tormey
163
The Aesthetic Impulse
albert hofstadter
171
Kant, Beauty, and the Object of Taste
stuart jay petock
183
Point of View and the Craft of Cinema
paul d. mcglynn
187
Illusion and the Poetic Image
judith dundas
197
Metaphor, Truth, and Definition
donald stewart
205
Film: The Revival of Aesthetic Symbolism
henry p. raleigh
219
Critical Analysis and Its Subject Matter
j. a. zuñiga
229
The Metaphysics of Disinterestedness
david a. white
239
The Study of Art in a Cultural Context
f. graeme chalmers
249
Heidegger and the Origin of the Work of Art
robert b. stulberg
257
afterwords
categories and intentions
kendall l. walton
267
Entropy as Value-Theory in the Arts
frank mccarty
268
Reflections on Cavell's Ontology of Film
douglas p. lackey
271
book reviews
Guy Sircello, Mind and Art: An Essay on the Varieties of Expression
Reviewed by william l. blizek
276
James K. Feibleman, The Quiet Rebellion
Reviewed by clifford brown
276
Approches de L'art--Mélanges d'esthetique et de sciences de l'art offerts à Arsène Soreil
Reviewed by rémy g. saisselin
277
Ronald Peacock, Criticism and Personal Taste
Reviewed by sister mary francis slattery
278
A. T. Tymieniecka, Eros et Logos, Esquisse de phénoménologie de l'intériorité créatrice, Illustrée par les textes poétiques de Paul Valéry (Eros and Logos, phenomenological sketch of creative interiority, illustrated by poetic texts from Paul Valéry)
Reviewed by liliane welch
279
Rudolf Arnheim, Entropy and Art: an Essay on Disorder and Order
Reviewed by marx wartofsky
280
Jeremy Hawthorn, Identity and Relationship; A Contribution to Marxist Theory of Literary Criticism
Reviewed by lee baxandall
281
Lee Baxandall, ed., Radical Perspectives in the Arts
Reviewed by berel lang
282
Jack J. Spector, The Aesthetics of Freud: A Stude in Psychoanalysis and Art
Reviewed by marc bornstein
284
Hans Prinzhorn, Artistry of the Mentally Ill
Reviewed by howard gardner
285
Robert H. McKim, Experiences in Visual Thinking
Reviewed by marcus b. hester
287
Karl Otto Götz and Karin Götz, Probleme der Bildästhetik: eine Einführung in die Grundlagen des anschaulichen Denkens
Reviewed by rolf-dieter herrmann
289
Kenneth Beittel, Mind and Context in the Art of Drawing
Reviewed by william h. capitan
289
T. J. Clark, The Absolute Bourgeois: Artists and Politics in France 1848-1851
T. J. Clark, Image of the People: Gustave Courbet and the Second French Republic 1848-1851
Reviewed by alan g. birnholz
291
C. W. Thompson, Victor Hugo and the Graphic Arts (1820-33)
Reviewed by e. m. zimmermann
293
Manfredo Tafuri, Progetto e utopia: Architectturo e sviluppo capitalistico
Reviewed by max rieser
294
George L. Hersey, High Victorian Gothic: A Study in Associationism
Reviewed by van a. burd
295
John A. Walker, Glossary of Art, Architecture and Design Since 1945
Reviewed by monroe c. beardsley
295
Paul Hernadi, Beyond Genre: New Directions in Literary Classification
Reviewed by barbara herrnstein smith
296
Frank Brady, John Palmer, and Martin Price, eds., Literary Theory and Structure: Essays in Honor of William K. Wimsatt
Reviewed by george mcfadden
298
Giuseppe Sertoli, Le immagini e la realtà: saggio su Gaston Bachelard
Reviewed by robert w. kretsch
299
Fredric Jameson, The Prison-House of Language: A Critical Account of Structuralism and Russian Formalism
Reviewed by david newton-demolina
300
Max I. Baym, A History of Literary Aesthetics
Reviewed by walter h. clark, jr.
303
Thomas J. Roberts, When Is Something Fiction?
Reviewed by irving deer
304
Elrud Kunne-Ibsch, Die Stellung Nietzsches in der Entwicklung der modernen Literaturwissenschaft
Reviewed by herbert m. schueller
305
Paula Johnson, Form and Transformation in Music and Poety of the English Renaissance
Reviewed by john h. bender
306
Jerome J. McGann, Swinburne: an Experiment in Criticism
Reviewed by george p. landow
307
Seymour Reiter, World Theatre: The Structure and Meaning of Drama
Reviewed by jackson g. barry
309
Paul M. Levitt, A Structural Approach to the Analysis of Drama
Reviewed by s. rossman
310