volume 23 number 4 (summer 1965)
articles
The Work of Art Described from a Double Dispositional Base
stephen c. pepper
421
Lyric Voices and Ethical Proofs
arthur k. moore
429
The Aesthetics of Color: A Review of Fifty Years of Experimentation
victoria k. ball
441
Aesthetic Motivation in the Creative Arts
ralph j. hallman
453
What is Wrong with a Forgery?
alfred lessing
461
Philosophical Parallels to Abstract Art
irving l. zupnick
473
On Fictional Expressions of Cognitive Meaning
bertram jessup
481
The Shifting Nature of Authority in Versions of "De artre graphica"
lawrence lipking
487
book reviews
Lia Formigiari, L'Estetica del gusto nel settecento inglese
Reviewed by frank rosengarten
505
Sven Moller Kristensen, kritisk revy
Reviewed by aage jorgensen
506
Haskell M. Block, Mallarmé and the Symbolist Drama
Reviewed by robert l. peters
507
Henry Hawley, Neo-classicism: Style and Motif
Reviewed by bernard goldman
508
Peter C. Swann, Chinese Monumental Art
Mario Bussagli, Painting of Central Asia
Reviewed by sherman e. lee
508
Klara Garas, Franz Anton Maulbertsch
Reviewed by phillip fehl
510
Leonard Feinberg, The Satirist
Reviewed by keith stewart
512
Acts of the Twentietch International Congress of the History of Art
Reviewed by alfred neumeyer
513
J. H. Matthews (ed.), Un Nouveau roman?
Bernard Halda, Berenson et André Malraux
Reviewed by rémy g. saisselin
514
Peggy Van Praagh and Brinson Peter, The Choreographic Art
Reviewed by selma jeanne cohen
515
Jean M Rivière, El Arte Zen
Reviewed by arthur szathmary
516
Dale B. Harris, Childern's Drawing as Measures of Intellectual Maturity
Reviewed by paul r. fransworth
516
Letters Pro and Con
elmer h. duncan and george t. dickie
517