volume 23 number 3 (spring 1965)
articles
On the Creation of Art
moroe c. beardsley
291
The Interpretation of Dramatic Works
auréliu weiss
305
Organic Unity Revindicated?
p.ae. hutching
323
Can Musical Notation Help English Scansion
calvin s. brown
329
The Expression Theory of Art: A Critical Evaluation
haig khatchadourian
335
Berlin, the Symphony of a City as a Theme of Visual Rhythm
jiri kolaja and arnold w. foster
353
Intensity as a Distinction between Classical and Romantic Music
arnold salop
359
The Fifth International Congress of Aesthetics
max rieser
373
book reviews
Frederick R. Love, Young Nietzsche and the Wagnerian Experience
Reviewed by kurt rudolf fischer
384
Xavier Rubert de Ventós El Arte Ensimismado
Reviewed by van meter ames
384
Mara Tsoncheva, Bulgarsko Vozrazhdane-Zhivopis i grafika
Reviewed by max rieser
385
Ervin Baktay, Die Kunst Indiens
Reviewed by gertrude r. piatkowski
386
Denis Diderot, Salons
Reviewed by r. g. saisselin
387
Linda Nochlin, Mathias at Colmar
Reviewed by price charlson
387
William H. Rueckert, Kenneth Burke and the Drama of Human Relations
Reviewed by emerson r. marks
388
Eliseo Vivase, The Artistic Transaction and Essays on Theory of Literature
Reviewed by george t. dickie
389
Edgar Wind, Art and Anarchy
Reviewed by price charlson
391
Edward Engelberg, The Vast Design
Thomas Parkinson, W.B. Yeats: The Later Poetry
Reviewed by george t. wright
392
Hazard Adams, William Blake
Joseph Frank, The Widening Gyre and Mastery in Modern Literature
Reviewed by donald weeks
394
Gillo Dorfles Il disegno industriale e la suaestetica
Reviewed by robert winston kretsch
396
book received
397