The Return, Andrei Zvyagintsev (2003)
Russian filmmaker Andrei Zvyagintsev makes his feature-film debut with the bleak psychological drama Vozvrashchenie (The Return). Younger brother Ivan (Ivan Dobronravov) and older brother Andrei (Vladimir Garin) live in a small town with their mother (Natalya Vdovina). One summer, the brothers are surprised by the arrival of their long-lost absent father (Konstantin Lavronenko). Although the boys only know him from an old photograph, he still orders them to accompany him on a fishing trip. The stern father then puts his two sons through a series of endurance tests. Doting Andrei is quick to cooperate, while stubborn Ivan is more reluctant to trust him. Ivan wants to know where he's been and what he's up to. After they travel by boat to a deserted island, the father gets even more mysterious. The Return won the Golden Lion at the Venice International Film Festival in 2003. —Andrea LeVasseur, Rovi
The Fly, David Cronenberg (1986)
Considered fairly gruesome in its day, the original 1958 The Fly looks like Mister Rogers' Neighborhood compared to this 1986 remake. Jeff Goldblum and Geena Davis star as Seth Brundle, a self-involved research scientist, and Veronica Quaife, a science-magazine reporter. Inviting Veronica to his lab, Seth prepares to demonstrate his "telepod," which can theoretically transfer matter through space. As they grow closer over the next few weeks, she inadvertently goads Seth into experimenting with human beings rather than inanimate objects. Seth himself enters the telepod, preparing to transmit himself through the ether—but he doesn't know that he is sharing the telepod with a tiny housefly. —Hal Erickson, Rovi
Naked, Mike Leigh (1993)
A scathing look at Britain in the post-Thatcher era, Mike Leigh's Naked stars David Thewlis as Johnny, an unemployed layabout with a philosophical bent and a nasty edge. In the opening scene, he's committing rape, and before the credits even roll, he's also stolen a car to flee from Manchester to the London home of an old girlfriend (Lesley Sharp). The film's loose, sprawling narrative follows Johnny as he randomly makes his way through the streets of London, encountering a homeless Scottish couple, a nightwatchman and a series of women whom he charms and discards. He lives defiantly outside of the system, refusing to conform to the demands of anyone (including himself). —Jason Ankeny, Rovi
Paths of Glory, Stanley Kubrick (1957)
Adapting Humphrey Cobb's novel to the screen, director Stanley Kubrick and his collaborators Calder Willingham and Jim Thompson set out to make a devastating anti-war statement, and they succeeded above and beyond the call of duty. In the third year of World War I, the erudite but morally bankrupt French general Broulard (Adolphe Menjou) orders his troops to seize the heavily fortified "Ant Hill" from the Germans. General Mireau (George MacReady) knows that this action will be suicidal, but he will sacrfice his men to enhance his own reputation. Against his better judgment, Colonel Dax (Kirk Douglas) leads the charge, and the results are appalling. When, after witnessing the slaughter of their comrades, a handful of the French troops refuse to leave the trenches, Mireau very nearly orders the artillery to fire on his own men. Still smarting from the defeat, Mireau cannot admit to himself that the attack was a bad idea from the outset: he convinces himself that loss of Ant Hill was due to the cowardice of his men. Mireau demands that three soldiers be selected by lot to be executed as an example to rest of the troops. Acting as defense attorney, Colonel Dax pleads eloquently for the lives of the unfortunate three, but their fate is a done deal. Even an eleventh-hour piece of evidence proving Mireau's incompetence is ignored by the smirking Broulard, who is only interested in putting on a show of bravado. A failure when first released (it was banned outright in France for several years), Paths of Glory has since taken its place in the pantheon of classic war movies, its message growing only more pertinent and potent with each passing year (it was especially popular during the Vietnam era). —Hal Erickson, Rovi
All About My Mother, Pedro Almodóvar (1999)
Pedro Almodóvar directed this story of a woman and her circle of friends who find themselves suffering a variety of emotional crises. Manuela (Cecilia Roth) is a single mother who has raised her son, Esteban (Eloy Azorín), to adulthood on her own and has come to emotionally depend on him. One night, Manuela and Esteban take in a production of A Streetcar Named Desire; after the show, Esteban is struck and killed by a passing motorist as he dashes into the street to get an autograph from Huma Rojo (Marisa Paredes), who played Blanche. Emotionally devastated, Manuela relocates to Barcelona in hopes of finding her ex-husband (and Esteban's father), who is now working as a female impersonator. Manuela becomes reacquainted with old friend La Agrado (Antonia San Juan), a transsexual, and is introduced to Sister Rosa (Penélope Cruz), a good-hearted nun who has to contend with her considerably more cynical mother (Rosa María Sardà). While looking for work, Manuela becomes acquainted with Huma Rojo. Huma, on the other hand, has troubles of her own, most involving her drug-addicted significant other, Nina (Candela Peña). Displaying Almodóvar's trademark visual style and a unusually strong sense of character-driven drama, Todo Sobre Mi Madre/All About My Mother received a highly anticipated theatrical run in Spain before winning the Best Director award at the 1999 Cannes Film Festival; in 2000, Almodóvar would receive the Academy Award for Best Foreign Language Film. —Lucia Bozzola, Rovi
Starship Troopers, Paul Verhoeven (1997)
Director Paul Verhoeven (Showgirls, Total Recall) reunited many from his 1987 Robocop team for this $100-million science fiction adventure, adapted from Robert A. Heinlein's 1959 novel, originally serialized in The Magazine of Fantasy and Science Fiction (October-November, 1959). After graduation, Johnny Rico (Casper Van Dien) volunteers for the Mobile Infantry to do his Federal service—but also to win over his girlfriend, Carmen Ibanez (Denise Richards), who has signed with the Fleet Academy to become a starship pilot. Johnny joins other boot-camp recruits—Dizzy Flores (Dina Meyer), who has had a crush on Johnny since school, and Ace Levy (Jake Busey). Ace and Johnny become pals, and Johnny's abilities earn him the squad leader position. A training accident occurs on Johnny's watch, and he is about to resign when Earth is attacked by alien insects intent on eradicating all human life. Johnny's home, Buenos Aires, is no longer on the map. Horrified, he chooses to stay on and fight to destroy the insect threat. The Mobile Infantry travels to the planet Klendathu to battle the warrior bugs, a ruthless enemy with only one goal—survival of their species no matter what. In the initial encounter, some 100,000 lives are lost. At a distant fort, Johnny's unit discovers that the bugs drain brains to acquire knowledge. Soon they are overwhelmed by an advancing arthropod army of immense proportions, attacking both in space and on the planet surface. The notion of human extinction becomes a possibility. For this $100-million production, some 300 artists and technicians combined models and miniatures with CGI effects to fashion a variety of creatures—from breeder bugs to armored tanker bugs. —Bhob Stewart, Rovi
Hannah and Her Sisters, Woody Allen (1986)
A Woody Allen Manhattan mosaic, Hannah and Her Sisters concerns the lives, loves, and infidelities among a tightly knit artistic clan. Hannah (Mia Farrow) regularly meets with her sisters Holly (Dianne Wiest) and Lee (Barbara Hershey) to discuss the week's events. It's what they don't always tell each other that forms the film's various subplots. Hannah is married to accountant and financial planner Elliot (Michael Caine), who carries a torch for Lee, who in turn lives with pompous Soho artist Frederick (Max Von Sydow). Meanwhile, Holly, a neurotic actress and eternal loser in love, dates TV producer Mickey (Allen), who used to be married to Hannah and spends most of the film convinced that he's about to die. Appearing in supporting parts are Lloyd Nolan and Maureen O'Sullivan (Farrow's real mom), as the eternally bickering husband-and-wife acting team who are the parents of Hannah and her sisters. The film begins and ends during the family's traditional Thanksgiving dinner, filmed in Farrow's actual New York apartment. Unbilled cameos are contributed by Sam Waterston as one of Wiest's brief amours and Tony Roberts as one of Allen's friends. Hannah and Her Sisters collected Oscars for Michael Caine, Dianne Wiest, and Woody Allen's screenplay. —Hal Erickson, Rovi
Glengarry Glen Ross, James Foley (1992)
David Mamet's award-winning play about a group of desperate real estate agents comes to the big screen from director James Foley. In a role created specifically for the movie, Alec Baldwin appears as a sales motivator, informing the group of hard-luck salesmen that they must compete in a sales contest where the losers will be fired. The agents work their same tired leads, until one hatches a scheme to burglarize the office, steal the leads, and sell them to a rival. Featuring a cast that includes Al Pacino as the office's sales leader, Jack Lemmon as an elderly loser, Alan Arkin and Ed Harris as frustrated salesmen, Kevin Spacey as the harassed office manager, and Jonathan Pryce as a client, Glengarry Glen Ross is, at its core, a character study about a group of men whose time has passed. —Matthew Tobey, Rovi
The Apple, Samira Makhmalbaf (1998)
This Iranian drama is based on factual news accounts of two 11-year-old girls who were locked away from the world by their parents until social workers stepped in. This docudrama actually uses the real family members to portray themselves. —Andrew Olthuis, Rovi
Dogtooth, Yorgos Lanthimos (2009)
Three young people exist in a strange world of their parents' devising in this bizarre drama from writer and director Yorgos Lanthimos. A father and mother (Christos Stergioglou and Michele Valley) live in a large house on the outskirts of town with their three children, whose ages range from mid-teens to early twenties. The children have never been allowed to leave the house (which is surrounded by a tall fence), and their knowledge of the outside world has been strictly controlled by their parents, who have chosen to teach them only what they believe is important and have deliberately confused or misled them in many other areas. The parents quite literally treat their children like animals, and the only contact the youngsters have with people outside their family is Christina (Anna Kalaitzidou), a woman who works with the father's business and comes by periodically to have sex with the eldest son (Christos Passalis). Christina makes the mistake of bringing a present for the two younger daughters (Aggeliki Papoulia and Mary Tsoni), and explains the custom is that they should give her something in return. This simple act sets off a chain reaction of events that has terrible consequences for everyone involved. Kynodontas (aka Dogtooth) was an official selection at the 2009 Cannes Film Festival. —Mark Deming, Rovi
Children of Men, Alfonso Cuarón (2006)
Y Tu Mamá También and Harry Potter and the Prisoner of Azkaban director Alfonso Cuarón returns to the helm to tell this futuristic tale in which society is without hope since humankind lost its ability to procreate. The year is 2027, and women can no longer give birth. The youngest inhabitant of the planet has just died at the age of 18, and all hope for humanity has been lost. As civilization descends into chaos, a dying world finds one last chance for survival in the form of a woman who has become inexplicably pregnant. Now, as warring nationalistic sects clash and British leaders try to maintain their totalitarian stronghold on the country, a disillusioned bureaucrat (Clive Owen) is brought back into the fold of activism by his guerrilla ex-wife (Julianne Moore). Reluctantly, he takes on the daunting task of escorting Kee (Claire-Hope Ashitey), the refugee who represents humankind's last hope for survival, out of harm's way and into the care of a mysterious organization known as The Human Project. Chiwetel Ejiofor, Charlie Hunnam, and Michael Caine co-star in this adaptation of author P.D. James's gripping 1992 novel. —Jason Buchanan, Rovi
The Last Days of Disco, Whit Stillman (1998)
During the very early 1980s, friends gather at a Manhattan disco club. Ad-exec Jimmy gets his clients in through the back door with help from his pal Des. Alice and Charlotte are roommates who attend the club. The fun ends when the days of disco come to a screeching halt. —Andrew Olthuis, Rovi
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