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Week |
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1.1/17-21 |
- COURSE
OVERVIEW
- Inventory
& REVIEW
- Theory
& Practice
- Mise-en-Scene
- Light
Media
- Basic
Definitions & Questions: Aesthetics, Functions of Criticism
- 3 Appeals
of an Artwork
- 3 Periods
of Art History- 3 Sensibilities:
- (1)
Classical-Realist Representation
- (2) Modernist- Issues of Form, Abstraction, “Purity”
- (3)
Post-Modernist- Mix Pop Culture & High Art, “Impure”,
Commodification
- SCREENING: Art History Slides, (Excerpts) WAY DOWN EAST,
POTEMKIN
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2.1/24-28 |
- PLASTIC
ELEMENTS: Light
Media
- Zettl:
Basic 5 Aesthetic Fields
- Creative
Variables, Expressive Tools:
- Light, 2 D
Screen-Frame, Color, Movement , Editing, Time, Space
- Montage
- Mise-en-scene
- Ideograms
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- SCREENING: Kurosawa Tribute, Excerpt: QUE VIVA MEXICO,
NAPOLEON, CITIZEN KANE, NOTORIOUS, VERTIGO, Janet Jackson, Radiohead,
New Order, U2
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3.1/31-2/4 |
- REALIST AESTHETICS
- Legacies of Andre Bazin
- New
Technologies-New Aesthetics
- Portable
Audio & Sync Sound
- Sound
& Image: Video
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- SCREENING: KOYAANISQUATSI-excerpts, NANOOK OF THE NORTH, LAW & ORDER,
THE POLICE TAPES, W.57th (CBS)-Vietnam 19, THE THIN BLUE LINE, THE BIG
SHAVE
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4.2/7-2/11 |
- NEW
TECHNOLOGIES II
- ELECTRONIC
CINEMA:Film Production Re-defined
- Camera
Stylos: 16 mm Film to Video
- Films for
Television-Channel 4
- Broadcast
Practice
- Rethinking
Television
-
- SCREENING: Glenn Holstein- SOUNDS OF PHILADELPHIA, Jane C.
Wagner & Tina DiFeliciantonio-GIRLS LIKE US
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5.2/14-18 |
- 5. NEW
TECHNOLOGIES
- Evolution
of Technologies: TV Studio, Portable Video to HDTV
- Evolution
of Technologies: Audio
- Theoretical Approaches to Audio: R. Murray Schaefer- THE TUNING
OF THE WORLD
- Earcleaning
- Soundmarks
- Sensory
Appeal, Subjective Perception, Subjective Response
- Sound
Images
- SCREENING: Zbigniew Rybczinski- STEPS, ORCHESTRA
- LISTENING: Tony Schwartz- NY 19, NPR-All Things Considered
(interview-George Seldes), NPR-Weekend Edition (Scott Simon- CAPITAL
PUNISHMENT)
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6.2/21-25 |
- 6TH
AESTHETIC FIELD: Sound
- Multi-Track Mix
- Asynchronous Sound- Creative Potential of “Wild” Sound Walter
Murch-Sound Design
- 3 Types: Realistic, Stylized, Emotional-Psychological
- CLASSICAL PARADIGMS: Sound Film & Mise-en-Scene Bazin &
Renoir
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- SCREENING: PSYCHO-excerpt, APOCALYPSE NOW- opening, GRAND
ILLUSION
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7.2/28-3/3 |
- 6TH
AESTHETIC FIELD: Sound
- Bernard
Herrmann & Hitchcock: Selective, Stylized, Synthesized (&
Silent)
- CLASSICAL
PARADIGMS- Bazin & Renoir (Cont’d)
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- SCREENING: THE BIRDS (attack
sequences), GRAND ILLUSION, THE HUMAN BEAST-excerpt, Intro: CITIZEN KANE
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8.3/6-3/10 |
- SPRING BREAK
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9.3/13-3/17 |
- CLASSICAL PARADIGMS: Orson Welles
- Expressive
Mise-En-Scene
- New
American Cinema I : Maya Deren
- MID-TERM REVIEW
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- SCREENING: CITIZEN KANE, LADY FROM SHANGHAI-excerpt, Maya
Deren- MESHES OF THE AFTERNOON,
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10.3/20-3/24 |
- CLASSICAL PARADIGMS: Neo-Realism (Oscar Micheaux &
Vittorio De Sica)
- MID-TERM EXAM
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- SCREENING: Vittorio DeSica -THE BICYCLE THIEF
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11.3/27-31 |
- 11.
BACKYARD STORIES: P.O.V. and PERSONAL EXPERIENCE NEW FORMS, NEW
VOICES
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- GUESTS: Eran Preis (Screenwriter) Cauleen Smith
(Writer-Director)
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- SCREENING: Cauleen Smith-DRYLONGSO
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12.4/3-7 |
- LEGACY
& AFTERSHOCKS
- Bazin, French New Wave, New American Cinema II and III
- Faculty
Guest: Warren Bass
- SCREENING: RAW DEAL-excerpts, GUN CRAZY-excerpts, THE 400
BLOWS-excerpts, BREATHLESS-excerpts, MASCULINE/FEMININE--excerpts,
BONNIE & CLYDE, TRASH-excerpts, MEAN STREETS-excerpts, SHE’S GOTTA
HAVE IT-excerpts
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13.4/10-14 |
- WOMEN'S
CINEMA
- Depiction,
Form, Technology
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- SCREENING: Early Pioneers-Alice Guy-Blache & Frances
Marion, Dorothy Arzner- CHRISTOPHER STRONG, Ida Lupino- THE HITCHHIKER,
Dede Allen & Verna Fields, Kathryn Bigelow-POINT BREAK and STRANGE
DAYS, Image Weavers, Sadie Benning-A PLACE CALLED LOVELY
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14.4/17-21 |
- INTERNATIONAL PERSPECTIVES: Asia, Africa & South
America
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- Screenings
To be Announced
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15.4/24-28 |
- REVIEW & WRAP-UP
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16.5/1-5 |
- STUDY DAY
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17.5/8-12 |
FINAL EXAM
- ALL- SECTION GROUP SCREENING:
- 11:00A.M. to 1:00 P.M.
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