Sue-Im Lee, Associate Professor of English, specializes in contemporary U. S. fiction and Asian American literature. Her book, A Body of Individuals: The Paradox of Community in Contemporary Fiction (2009), examines the novels of Toni Morrison, Richard Powers, Karen Tei Yamashita, Lydia Davis, Lynne Tillman, and David Markson, in dialogue with postmodern theories of community. She has co-edited, with Rocio Davis, Literary Gestures: The Aesthetic in Asian American Writing (2005). She has published essays on Theresa Hak Kyung Cha and realism, role of irony in contemporary fiction, and Carlos Bulosan and self-generated craft in Asian American fiction. In addition to her journal essays, her essays appear in Fiction's Present: Situating Contemporary Narrative Innovation (2005), Literature and Globalization: A Reader (2010), and New Horizons in the Analysis of World Narrative Fiction (2011). Her current book project, Looking for Art in Asian American Literature, examines the implicit and sometimes contradictory theories of art underlying the major debates over definitions and evaluations of Asian American literature in contemporary Asian American literary discourse.
Lee regularly teaches undergraduate and graduate courses on 20th American literature, contemporary fiction, experimental fiction, women and fiction, and Asian American literature.
“Doing Literary Criticism, Making Value Judgments: What Might Be Called
‘Good Writing.’” Criticism After Critique: Aesthetics, Literature, and the
Political. Ed. Jeffrey Di Leo. NY: Palgrave Macmillan (Sept. 2014; forthcoming)
“How to Write the Present Without Irony: Immanent Criticism in Lynne
Tillman’s American Genius, A Comedy.” electronic book review (August 2011)
“‘It’s Badly Done’: Redefining Craft in America is in the Heart.”
Analyzing World Fiction: New Horizons in Narrative Theory. Ed.
Frederick Aldama. University of Texas Press (September 2011, 199-225)