|Olaf Skoogfors was born in a backwoods iron center in Sweden, 1930. He and his family
came to the United States and settled in Philadelphia while he was a small child. He
thought he would follow his fathers footsteps in engineering. After working in engineering
in Sweden Skoogfors became restless working as a mechanical draftsman.
"I wanted to design with my hands, to make something I could see and hold. After
Moving to Philadelphia, I found my most satisfactory outlet in the silver department at
the Museum College of Art." (Craft Horizons, v. XXI, no. 1, pp. 23).
In 1959 Skoogfors established an independent studio in Philadelphia. Shortly after that he
joined the faculty at Philadelphia College of Art, Philadelphia, Pennsylvania. Skoogfors
felt the most important concern in his work was the technique/means he used to express an
image. He worked with assemblages and used imagery from nature. This imagery manifested in
texture and surface related to landscapes or sensuous forms of the human body. His intent
was to create jewelry incorporating a meaningful statement about form, texture, color, and
image. He regarded his jewelry as compositions and the scale was determined by the human
body. He embellished his compositions with moonstones and pearls.
Skoogfors often used the lost wax casting process. He was introduced to lost wax casting
in metal by Ruth and Svetozar Radakovich. This process enabled Skoogfors to create more
sculptural forms. He also used fusing, reticulation and chasing techniques in his work.
Skoogfors referred to himself as a constructionist by inclination -- he liked ot build
directly in metal.
Olaf Skoogfors led a distinguished career in the metalsmithing field. Skoogfors considered
himself an artist and a craftsman. He had many exhibitions, making his work accessible to
his students and fellow craftsmen. He passed away in 1975 at the age of 45.