News and Events

Past Series Programs

     Fall 2008

     Fall 2007

Monday Night Film Series

 

Please join us Monday evenings this semester for some great and thought-provoking films.   The series is free and open to the entire Temple University community.  All films are shown uncut and without interruption.  Selections include contemporary and classic films on topics relevant to crime and the criminal justice system, including gang and youth violence, capital punishment, violence against women, drugs and crime, the social construction of crime and justice, and prisoner re-entry.  There will be some time for discussion of the film afterward. 

 

All screenings will be held in Tuttleman 101 at 5:15 pm.

 

Click on film title to view a trailer for the film

 

September 14:   Pineapple Express (2008, David Gordon Green)

 

September 21:   Standard Operating Procedure (2008, Errol Morris)

 

September 28:  A Clockwork Orange (1971, Stanley Kubrick)

             

October 5:   Hard Candy (2005, David Slade)  

 

October 12:   Crips and Bloods:  Made in America (2008, Stacy Peralta)

 

October 19:   Indictment:  The McMartin Trial (1995, Mick Jackson)

 

October 26:   Crazy Love (2007, Dan Klores)    

 

November 2:  The Executioner’s Song (1982, Lawrence Schiller)

 

November 9:   Party Monster (2003, Fenton Bailey)

               

November 16:   Straight Time (1978, Ulu Grosbard)

             

November 23:   Girl 27 (2006, David Stenn)

             

November 30:   Requiem for a Dream (2000, Darren Aronofsky)

             

December 7:   Taxi Driver  (1976, Martin Scorcese)  

 

 

Contact:  email auerhahn@temple.edu with any questions.

 

NOVEMBER 23:

Tuttleman 101, 5:15 pm

GIRL 27

Directed by David Stenn

In 1937, Patricia Douglas
arrived for what she believed was a casting call to
appear in one of the big-budget musicals of the day.  Instead, she discovered that she and over 100 other young women had been hired to be "hostesses” for a party held by Hollywood giant MGM as part of a convention of sales representatives, one of whom
raped Douglas during the party.

The film documents the role of the Hollywood power structure in denying Douglas justice, and - in her own words - the effect that the assault had on the victim throughout her life.