3.2: Hybrid Genres/Mixed Media (Part 2)
Contents
Mac Adams: Four Sculptures
Will Alexander: Transgression of Genre as Vitality
Dennis Barone: Pia at Play
Martine Bellen: Lola Montez
Charles Bernstein: Introjective Verse
Sherry Brennan: Belle Mort
Patti Capaldi: Consumption
Norma Cole & Michael Palmer: A Library Book
Elizabeth Cross: Schoenberg Dance 12
Maria Damon: Perfume River: the Oxymoron Wannabe & Me
Tim Davis: The Nearsighted Poet Reads to St. Jerome
Marta Dieke, Spencer Selby, Gary Sullivan: from How We Learn
Rachel Blau DuPlessis: Draft 29: Intellectual Autobiography
Geraldine Erman: Vivarium No. 2
William L. Fox: from Zero Comma One: A Visual Essay
Janie Geiser: Evidence of Floods
Susan Gevirtz: Figment of Appointment
David Golumbia: Theory
Jenny Gough
Carla Harryman: Males (terrorists)
Lyn Hejinian & Travis Ortiz: The Staking Effect
Fanny Howe: from Nod (a novel)
Lisa Jarnot: Five Collages
Tom Johnson
Alystyre Julian: Shifting Attentions, Shifting Attentions
Karen Kelley: Gesture/Geisha/Genre
Bruce McIntosh
E.A. Miller: Trouble (please do not disturb)
Aife Murray: Phenomenal Rooms
Sianne Ngai: Five Collage Poems
Hoa Nguyen: From A Series of Letters
Nick Piombino: New Languages for Old
Mark Robbins: Scoring the Park
Christy Sheffield Sanford: Bivens Arm Nature Poem
Gail Sher: Innocent Diversions
Brian Kim Stefans
Cassandra Terman and Katie Yates
Nico Vassilakis: Orange: A Manual
Mac Wellman: The Peach-Bottom Nuclear Reactor Full Of Sleepers
C.D. Wright: The Lost Roads Project: A Walk-in Book of Arkansas
Paul Zelevansky: Four Pieces
