02602/Painting, Drawing, and Sculpture (PDS)

 

0001-0002. Foundation Drawing (3 s.h. each course) F S.

A foundation drawing course that concentrates on developing basic skills. The course examines varied media in the study of the figure, geometric composition, landscape, and an introduction to color as it relates to drawing.

0003-0004. Three Dimension (3 s.h. each course) F S.

A foundation course - paired with Crafts 0004 - that teaches students to use three-dimensional concepts. The course emphasizes the utilization of basic materials.

0105-0205. Drawing Workshop (3 s.h. each course) SS.

Studies in drawing emphasizing individual instruction for students of varied backgrounds.

0111-0112. Figure Modeling (3 s.h. each course) F S.

This course stresses clinical observation as well as analytical response to issues pertaining to the body. The nature and aspects of representation in the sculptural tradition are considered.

0119. Intermediate Figure Drawing (3 s.h.) F S.

An intermediate course focused entirely on the human figure as subject. There is emphasis on a variety of approaches to drawing the figure. Dynamics, proportion, anatomy, volume, and structure will be investigated through various drawing methods and selected materials. Frequent historical references will be made through reproductions and slides, and 20th century figure drawing will be thoroughly discussed .

0131-0132. Painting (3 s.h. each course) F S.

Introduces the second-year student to the procedural logic necessary to articulate the figure and still life in oil and acrylic media. The student is encouraged to explore invented as well as analytical form.

0143-0144. Intermediate Drawing (3 s.h. each course) F S.

The practice of drawing as a way to explore ideas and materials as well as the development of a disciplined approach to draftsmanship.

0147-0207. Painting Workshop (3 s.h. each course) SS.

A studio painting course with emphasis on the development of a student's individual point of view. Class work will focus on the development of the student's ability to work at a conceptually advanced level. Experimentation is encouraged.

0169-0170. Sculpture (3 s.h. each course) F S.

Develops the integration of sculpture concept and practice, and the critical analysis of completed sculpture through a series of projects that investigate basic sculptural processes and issues. Lectures on directions in sculpture, technical demonstrations, and group critiques are scheduled.

0221-0222-0321-0322. Advanced Sculpture (3 s.h. each course) F S SS.

Emphasis on developing of an individual direction in sculpture through studio work, drawing, writing, and some research. Progress is reviewed through individual critiques. The development of critical analysis of completed work is emphasized in group critiques.

0223-0323. Installation (3 s.h. each course) S.

Prerequisite: Sophomore Sculpture 0169-0170.

Investigations into the intrinsic meaning of the "site" will be coupled with the effective channeling of those issues into the work of art. Ideas, material, and placement will be analyzed so as to achieve cogent integration into the site. Lectures, individual discussions, and group critiques are scheduled.

0236-0336. Public Art Projects (3 s.h. each course) S.

The class will introduce the processes involved in designing actual site-specific public art projects. These will include research, concept development, architectural drawings and model buildings, and presentation techniques. Studio visits with architects, model makers, sculptors, and project coordinators are an integral part of the course.

0243-0343. Foundry (3 s.h. each course) SS.

Ceramic shell bronze and aluminum casting techniques are emphasized, as well as a variety of hot and cold casting materials and processes. The course focuses on the way these techniques serve sculptural thinking.

0244-0344. Mold-Making Technology (3 s.h. each course) S.

Prerequisite: Sophomore Sculpture 0169-0170.

Flexible moldmaking techniques are explored using foam, latex, RTV and silicone rubber, as well as alginate compounds for direct body casts. Non-flexible techniques include wood forms for cement castings. Positives are cast in cement, plaster, rubber and polyurethane using both solid and hollow casting methods. Students incorporate these techniques in directed projects, or for completing self-directed work.

0249. Junior Sculpture Seminar (3 s.h. each course) F.

This studio class is a bridge from lower level introductory courses to advanced studio work. Aspirations of the profession, studio principles, and critical thinking are stressed, along with readings and discussions in contemporary art theory.

0250. Imaging for the WWW (3 s.h.) F S.

Students will gather and create images which will be combined, animated, and made intereactive using various software. Each student will create a visual outline consisting of drawings, clippings, or text which will serve as the model for their project. Students will acquire a working knowledge of Adobe Photoshop 5.0, MacroMedia Director 6.9, Adobe After Effects 3.9, Infini-D 4.9, and SoundEdit 16 which they will use for the completion of their projects. Their finished work will be burned onto a CD-ROM.

0253-0254-354. Figure Drawing (3 s.h. each course) F S.

An advanced course focused entirely on the human figure as subject. There is emphasis on a variety of approaches to drawing the figure. Dynamics, proportion, anatomy, volume, and structure will be investigated through various drawing methods and selected materials. Frequent historical references will be made through reproductions and slides, and 20th century figure drawing will be thoroughly discussed.

0257-0357. Landscape (3 s.h. each course) F S.

An examination of painting problems involved in the variable light, space, and form of cityscape and landscape. Work from various sites and sources.

Note: This course may fulfill an advanced Painting/Drawing Studio Major or Studio Elective

0258-0358. Figure Painting (3 s.h. each course) F S.

A painting course based on direct observation. Fundamentals of oil painting as well as an understanding of anatomy, composition, and the relationship of the figure to its environment are stressed. The development of an individualized approach and the use of content are explored through group discussion and assigned work.

0270-0271-0370. Color (3 s.h. each course) F S.

The study of color, its characteristics, and interaction, explored through studio painting experiences.

Note: This course may fulfill an advanced Painting/Drawing Studio Major or Studio Elective

0277. Painting on Paper (3 s.h.) F S.

A study of the uses of aqueous media beyond transparent watercolor. Opaque watercolor, collage, and transfer techniques, and oil and acrylic on paper are explored.

0278-0279-0378. Advanced Drawing (3 s.h. each course) F S.

A course designed to encourage the development of mature skills in draftsmanship.

W286. PDS Seminar (3 s.h.) F S. Core: WI..

Group discussion and individual presentation concerning formal, conceptual, historical, and personal creative issues in contemporary painting and drawing.

0290-0291-0292-0293-0390-391.. Advanced Painting (3 s.h. each course) F S.

A studio painting course with emphasis on the development of a student's individual point of view. Class work focuses on the development of the student's ability to work at a conceptually advanced level. Experimentation is encouraged and there are frequent class critiques.

0331-0332. Senior Painting Studio (3 s.h. each course) F S.

Prerequisite: Admission to the program is by faculty selection through the competitive process of portfolio reviews.

The senior painting studio program is designed to provide an intensive studio experience while working in individual studio space. The group works with two faculty in individual and group critiques.

0335-0336. Senior Sculpture (3 s.h. each course) F S.

A combined studio and seminar course for senior majors in sculpture emphasizing knowledge of contemporary issues in sculpture, and critical and analytical skills through research projects and group discussions. The preparation of a portfolio and statement of individual working philosophy are part of this course.

0337. Critical Dialogues (3 s.h.) F S.

Each week a different visiting speaker delivers a public lecture about the history of their work. The speakers are culled primarily from artists, but also from curators and critics. Class members meet after the public lecture for a seminar on the work and ideas presented. Each class member has a private studio critique with a few of visiting speakers.

0351. Field Internship (1 - 3 s.h.) F S SS.

A field internship must provide practical experience in a setting which is relevant to the student's course of study, such as in a gallery, museum or community art center etc. A written proposal must be developed and agreed upon before the beginning of the semester, describing the setting and the time commitment which must equal at least 10 hours per week for the full semester. A comprehensive paper must be written.