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Undergraduate Focus: The Department of Anthropology offers an undergraduate
major (Visual Track) and minor in visual anthropology and
a program of graduate studies in the anthropology of visual
communication, leading to a Ph.D. degree in anthropology. Areas of inquiry include historical and
contemporary forms of (a) visual events, such as ritual,
spectacle, performance, etc.; (b) visual objects, such as art,
architecture, clothing, the body, etc.; (c) media, such as
television and various forms of indigenous media; and (d)
visual communication through video, film, photography, and new
forms of digital imaging. The goal of the program is to
prepare students for career paths that utilize anthropological
knowledge, such as university teaching and research as well as
jobs in tourism, museum, theater, media, advertising, and web
development/management.
The focus has two primary objectives:
(a) to train students to understand the relevant social,
cultural, political, economic, and religious dimensions of
these visual forms and (b) to provide technical competency in
communicating anthropological knowledge in a visual format,
including video, film, photography, and others made possible
by computer technology. The program maintains strong ties with
the linguistic anthropology program within the Department of
Anthropology and with other programs within the university,
including Film and Media Arts, Photography, Theater, Dance,
Art History, Journalism, and Urban Studies. In previous years,
students have enrolled in additional graduate seminars in
these programs.
The department is equipped with a Visual
Laboratory that supports courses and student projects that
make use of audio-video data. For students interested in
integrating linguistic data with their work, the Linguistic
Anthropology Program is also equipped with a laboratory that
provides additional resources, including a Macintosh computer
station and necessary accessories for analyzing linguistic
data. The Visual Laboratory is well equipped with
state-of-the-art technology for recording, analyzing, and
editing digitally recorded audio-video data. The resources of
the Visual Laboratory are also used for exploring new ways of
producing (a) anthropological and ethnographic cinema and (b)
interactive products for the World Wide Web. In addition to a
dark room facility for photography projects, there is also an
equipment room where students can check out equipment, such as
cameras and accessories, for field projects. In the past,
students have carried out projects in the United States, South
America, South and East Asia, the Middle East, New Zealand,
and Europe. Projects carried out among indigenous populations
are particularly encouraged.
Graduate Focus: The
traditional areas of study within the anthropology of visual
communications i.e., the study of film, photography,
performance, art, dance, media, home media and indigenous
media will continue to be offered. The most significant change
will be the department’s recognition of New Media as a focus
of study and the overarching recognition that all of visual
anthropology is encompassed in an orientation that recognizes
a globalizing and transnational social universe.
Professors Niyi Akinasso, Paul Garrett,
Jayasinhji Jhala and Denise O'Brien are the primary faculty
for this orientation. The Department aspires to add new faculty in
the near future. With that in mind, Professors Paul
Stoller and Gray Gordon have visiting faculty appointments for
this year (2004-2005). Other resources in the university
include Professors Paul Swann and Roderick Coover of the Film
Department, Miles Orwell of English, Gerald Silk of Art
History, Noel Carroll and Philip Alperson of Philosophy who
are supportive of innovative cross-disciplinary work.
If you are a prospective graduate student
intending to apply for admission, we urge you to contact Dr.
J. Jhala, Program Director jjhala@temple.edu
(e-mail); 215-204-7727 (voice mail).
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Liluye with Rajput celebrators, Jodhpur, India
1996.
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